kiwiferro.blogg.se

1. #STEINBERG NUENDO 1.6 MACROS FOR MAC#
2. #STEINBERG NUENDO 1.6 MACROS MAC OS X#
3. #STEINBERG NUENDO 1.6 MACROS MAC OS#
4. #STEINBERG NUENDO 1.6 MACROS MOVIE#
5. #STEINBERG NUENDO 1.6 MACROS PRO#

#STEINBERG NUENDO 1.6 MACROS MOVIE#

But during the time I was writing this review, I was lucky enough to get the chance to really put Nuendo 2 through its paces on OS X, recording cello and woodwind overdubs at Media Ventures for the soundtrack to the movie Pirates Of The Caribbean. I've had the pleasure playing around with the beta versions of Nuendo since March, getting to know the application as it took the final steps towards release. Instead, Steinberg focused all their resources on the Windows XP- and OS X-only Nuendo 2, following in the footsteps of Cubase SX. Although a beta version of Nuendo 1.x for OS X was announced at the 2002 Frankfurt Musikmesse and publicly discussed on many occasions, a release version never materialised. This version added many new features including VST Instrument support, 9-pin sync and printable track sheets, and Steinberg would later add 192kHz support, VST System Link, and AES 31 file import and export abilities in version 1.6.

#STEINBERG NUENDO 1.6 MACROS MAC OS#

While Nuendo was originally released as a Windows-only product, the application itself is based on a portable framework, with Steinberg even announcing a BeOS version at one stage, and a Mac OS 9 version finally became available when Nuendo 1.5 was released in 2001. The advantage to this approach, which has been diluted in recent years as third-party DSP cards have increased in popularity, is scalability: you can run Nuendo on any system, be it a laptop or a desktop, workstation or server, and open any Project without needing to worry about installing extra hardware. From the start, Nuendo was conceived as a native application that would require no additional DSP processing power, where the audio engine could record and play back at any sampling rate and resolution and utilise any installed physical inputs and outputs. Nuendo 1.0 was released for Windows in the Spring of 2000 after four years of research and development, during which time it evolved from an application originally announced for Silcon Graphics workstations to one intended for the Windows NT platform.

#STEINBERG NUENDO 1.6 MACROS PRO#

This achievement, coupled with the fact both versions ship in the same box, is worthy of praise by itself, in an era where software companies are increasingly aligning themselves with a single platform - predictions among users that Mac support would be dropped after Pinnacle's buyout of Steinberg last year have proved to be unfounded, and while Digidesign also offer a Windows version of Pro Tools, it isn't supplied in the same box as the Mac version.

#STEINBERG NUENDO 1.6 MACROS MAC OS X#

Only a year after Cubase SX was released for Windows, followed by a Mac OS X version some months later, the company have released the second major version of Nuendo for both Windows XP and Mac OS X platforms simultaneously. In recent times, Steinberg have had a habit of releasing highly anticipated applications on what now seems like an annual basis. But in an industry dominated by Digidesign, will it be enough to lure potential users away from their Pro Tools rigs? Since its first release three years ago, Nuendo has raised a great deal of interest among those who need a professional audio production tool, and with Nuendo 2, Steinberg have developed one of most ambitious native-based audio systems yet seen. The Track Split feature on the Project window has been engaged to keep the Video and the dialogue, click and reference Audio Tracks held at the top, enabling you to use the lower half as your main working window. Consequently, the system will grow with you without demanding a massive reinvestment each time your hardware expands.Nuendo in all its glory. That approach has the distinct advantage that the software isn't tied down by a preconceived hardware design, but it can be upgraded as computer technology develops and processors get faster. Advanced multiprocessor support is included. Every function - processing, mixing, routing, the whole works - runs on the computer's host processor or dual processors. With support for mono, stereo, and any surround format with a maximum of eight discrete channels, Nuendo is a great candidate for producing and mixing music, scoring and placing effects into a film or TV show, or creating a surround-sound design for a new video game.Īn important aspect of Nuendo is that it works entirely in a native-processing environment. In addition to handling large numbers of tracks and channel inputs, one of Nuendo's greatest strengths is its ability to mix in a variety of output formats. It's based on a new native software code for recording, editing, and mixing as many as 500 tracks of MIDI and digital audio at rates of up to 192 kHz with 32-bit resolution (if you have the hardware for it). Aimed at the music, audio-for-film, video, and interactive-media markets, Nuendo 1.5 is a fully professional DAW.

#STEINBERG NUENDO 1.6 MACROS FOR MAC#

One of the most anxiously awaited computer-based digital-audio workstations (DAWs) is the latest version of Steinberg's Nuendo for Mac and Windows.